silence # 12, zeno van den broek
The first concert in the summer series is both a concert and public sound research, by Zeno van den Broek. Acoustic tests focused on finding the natural frequencies of the Oude Kerk will have been executed in the week before and will be translated into a live performance. Zeno van den Broek will base his work on a method made famous by Alvin Lucier with his composition I Am Sitting In a Room(1969), in which Lucier performed and recorded a text, played it back, recording it again and again, until it was abstracted by the natural frequencies of the room. This ‘Lucier-method’ will be used in the Oude Kerk, to find the natural frequencies of the church building. Instead of text, Zeno van den Broek will use the sounds that are inseparable from the church: the transept-organ and amplified bells. The performance will start of with a four minute composition for organ and bells by Van den Broek which will be re-recorded and re-amplified in the church. This proces results in these natural sounds to evolve during the passing of this morning event into more and more abstract resonances, in tune with the architecture of the church.
The silence series
In the early morning the Oude Kerk is a meditative oasis in the city, with an enervating sunrise coming through the high church windows. At this early hour you can enjoy the Silence music programme, a contemplative counterpoint to a hectic city centre. In conjunction with Giorgio Andreotta Calò, the Oude Kerk has planned a new series of concerts in the Silence series, every first Friday of the month, from June to September.
With the red-filtered daylight in the Oude Kerk, Giorgio Andreotta Calò makes a statement with a simple intervention. By creating a red veil of light, his new work Anastasis refers to a history divided into two halves: the warm colourful atmosphere of the Catholic era of the Oude Kerk, opposed to the visual emptiness after the act of Calvinist iconoclasm in 1566. All elements used in the Silence concerts during the exhibition Anastasis will be connected to the church space itself: organs, bells, and the choir music of Sweelinck. The bells’ history reflects a history of iconoclasm and Reformation, too. After the Reformation, one bell was destroyed, like most of the art in the church. The others lost their Catholic names, and were recast in 1659 with Protestant inscriptions.
The abstract image created by Giorgio Andreotta Calò also makes the visitor think about light frequencies: the behaviour of light in space. A simple next question is: What is the ‘sound colour’ of the Oude Kerk? What are the natural frequencies of this vast church space? The first concert of 1 June, by Zeno van den Broek, deals with these questions. The results of a ‘concert-by-research’ will be used in the following concerts during the summer: on 6 July choir music by Jan Pieterszoon Sweelinck, on 3 August an electronic music concert by sound artists/composers B.J. Nilsen and Zeno van den Broek, and on 7 September a concert with organ, bells and electronics.